season

Chapter 1 - At 11:42 on a Tuesday, Harper Delaney was sitting on the floor of her sublet with her back against the radiator, an empty bottle of pinot noir beside her, and a decision to make about how to hurt a man.

Rain hammered the windows.

It had been coming down since dinner—the kind of Chicago rain that turned the street into a smear of brake lights and made every apartment feel like the last dry room on earth.

Around her, half-packed boxes leaned against the walls.

The sublet was four hundred square feet of somebody else’s furniture, and it smelled like lemon cleaner and old carpet.

She had been there two days.

Two days since she walked into the apartment on Green Street with a paper bag of sandwiches and found Kyle Bradley in the bed she had paid for, with her cousin Madison’s red hair spread across the pillow.

Two days since she stopped being engaged.

The radiator ticked.

Harper picked up her phone.

Kyle had texted an hour ago.

Not an apology.

Not a question about how she was.

He wanted to know whether she had accidentally taken his vintage watch.

She had deleted his number in a fit of tears the night she left.

But her thumbs remembered.

Four years of muscle memory had carved those ten digits into her, and now, with the wine warm in her blood and the rain loud enough to drown out good sense, she typed them into the recipient line.

She didn’t hesitate.

She didn’t soften it.

“You are a coward and a liar, and I hope every time you look at that watch you see the bed you ruined.

I hope your mother asks where I am and you have to say it out loud.

Don’t ever contact me again.

If I see your face, I will make sure every person you work with knows exactly what you are.

Keep the watch.

It’s fake.

So were you.”

She hit send.

The green bubble appeared.

Delivered.

Harper dropped the phone on the sofa cushion and pressed both hands over her face.

The apartment was so quiet she could hear the refrigerator humming.

Five minutes passed.

Ten.

The silence had teeth in it.

Then the phone buzzed.

She grabbed it, already composing the furious reply she would not send, already imagining Kyle’s defensive little paragraphs.

The message was not from Kyle.

UNKNOWN: You have exactly thirty seconds to tell me who gave you this number.

If you don’t, the two men in the hallway on the fourth floor will come through the door of apartment 4B.

Harper read it twice.

The words did not rearrange themselves into anything that made sense.

Apartment 4B was her apartment.

The sublet.

The one she had signed for in a panic, the one whose address she had given to exactly three people: her mother, her boss, and the woman at the utility company.

She typed with her heart slamming against her ribs.

“Who is this?

Is this Kyle?

How do you know where I am?”

The typing indicator appeared at once.

Three dots, dancing.

UNKNOWN: I do not know a Kyle.

I know that you are sitting on the floor of 4B, breathing hard, holding a phone registered to a Harper Delaney.

You have fifteen seconds.

Then a photograph came through.

It was grainy, black and white, shot from the ceiling of a hallway.

Two men in dark overcoats stood outside a door she recognized because she had walked through it two days ago with a suitcase and a garbage bag of shoes.

One of the men was reaching inside his jacket.

Harper scrambled backward until her spine hit the wall.

She stared at her own deadbolted front door, six feet away, and the phone in her hand, and the number at the top of the screen.

312-555-8018.

Kyle’s number was 312-555-8019.

One digit.

She had missed one digit.

“It was a mistake,” she typed, her thumbs slipping.

“I swear to God, it was a typo.

I was trying to text my ex-boyfriend.

Please.

Please don’t hurt me.

Look at what I wrote—does that sound like a threat to you?

I’m sorry.”

Nothing.

The floorboards in the hallway creaked.

Someone was standing on the other side of the door, close enough that she could hear the shift of weight from one foot to the other.

The phone buzzed.

UNKNOWN: A typo.

UNKNOWN: My associate Gideon has verified your identity.

Twenty-six years old.

Assistant interior designer.

No criminal record.

Your phone is registered to that address, which is how my people found your door; the rest took twenty minutes.

You bought a bottle of wine at 8:12 tonight at the bodega on Randolph.

UNKNOWN: You are very lucky, Miss Delaney.

Tell Gideon good night through the door.

Then lock your deadbolt.

Do not contact this number again.

Harper crawled across the floor.

Her knees ached.

She pressed her ear to the cheap wood and listened to the silence on the other side, and then she whispered, “Good night, Gideon.”

A voice came back, low and calm, the voice of a man who had been standing there for a while.

“Sleep tight, Miss Delaney.”

She heard him walk away.

She turned the deadbolt, hooked the chain, dragged the armchair across the floor, and sat in it until the rain stopped and the sky went gray.

She did not sleep.

Every time she closed her eyes she saw the photograph: two men, one door, her name in a stranger’s mouth.

At 6:50 the next morning, her phone buzzed again.

UNKNOWN: Tomorrow, Caldwell Interiors will call.

Say yes.

The call came at nine.

Harper was in the break room, on her third cup of coffee, with concealer doing what it could about the shadows under her eyes.

The office smelled of paper and lemon polish and the faint chemical sweetness of fabric samples.

She had told herself all morning that last night was a fluke—a wrong number that belonged to someone with security and a temper, a stranger who had been satisfied with an apology.

Then Evelyn Caldwell marched in.

Evelyn was sixty-one, dressed head to toe in Chanel, with the posture of a woman who had never once been told to wait.

She looked at Harper's cup, then at Harper's face, and said, "Put that down.

You have a meeting in twenty minutes."

"A meeting with who?

I don't have any client consultations today."

"I don't know what you did," Evelyn said, adjusting her silk scarf, "but our newest VIP client specifically requested you as lead designer.

He just bought the triplex penthouse at the St. Regis.

If we land this project, the commission will keep this firm alive for two years."

She paused at the door.

May you like

"Go fix your face.

You look like a corpse."

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