Chapter 10 - THE MAN WHO COULD NOT BE BOUGHT

The first thing Adrian Moretti did when they returned to Kingsbridge was order a complete review of Silas Reed's financial history.
The second was to remove his name from every account he had ever been authorized to access.
The third was to sit in the study for nearly twenty minutes, staring at the old family photograph on the desk.
Nora watched him from the doorway.
"You look as though you're preparing to execute someone."
He glanced up.
"I'm deciding whether to invite him to dinner."
"That sounds significantly more civilized."
"I'm trying to grow as a person."
"Perhaps begin with sleep."
He almost smiled.
Then the expression disappeared.
"The third copy is a person," he said. "Someone who knows where the original evidence came from and what happened to Thomas."
"Someone who survived."
"Possibly."
"And Silas Reed has spent twenty-two years trying to find them."
Adrian nodded.
Nora walked into the study and sat opposite him.
"Tell me about Reed."
He leaned back.
"Silas was my father's financial adviser for nearly thirty years. He managed the accounts that connected the shipping companies, the private investments, and several businesses that were never officially part of the Moretti organization."
"Was he involved in criminal activity?"
"I don't know the full extent of it. My father trusted him more than almost anyone."
"Did you?"
Adrian considered the question.
"When I was younger, I thought he was a brilliant man who understood money better than anyone else. When I took over the business, I discovered that he understood people even better."
"What does that mean?"
"It means he could tell you what someone wanted before they admitted it to themselves. He knew who was desperate for money, who was afraid of scandal, who wanted power, and who could be persuaded to look the other way."
Nora thought about the records.
"Then he would have known exactly how to hide the transfers."
"Yes."
"And how to make sure no one could prove he was responsible."
Adrian nodded.
She looked at the family photograph.
"Does he still work for you?"
"No. He retired four years ago."
"Convenient."
"Very."
"Where is he now?"
"According to his last official address, he lives outside the city. But his accounts show activity in three different countries."
Nora frowned.
"Can he be tracked?"
"Not easily."
"Then we start with the people who worked with him."
Adrian studied her.
"You want to investigate him yourself?"
"I want to understand what happened to my father. I want to understand what happened to Thomas Price. And I want to know why someone tried to kill us."
"Those are three different questions."
"They may have the same answer."
He was silent for a moment.
Then he opened a drawer and removed a folder.
"I've already started."
Inside were photographs of Silas Reed at various ages, company records, and a list of former employees.
Nora looked at the names.
One belonged to a retired accountant who had worked at the shipping company during the period when the transfers occurred.
Another belonged to a former security officer who had resigned shortly after Thomas Price's death.
The third belonged to a woman named Rebecca Shaw.
Nora read the accompanying note.
Former executive assistant to Silas Reed. Employment ended October 2004. Current whereabouts unknown.
"Why is she important?"
"She processed the correspondence for the accounts that were later closed."
"Does she know about the records?"
"She may have seen them."
"Then we find her."
Adrian nodded.
For the next several hours, they worked through the list with Miriam Cole. Some former employees were dead. Others had moved away. A few were willing to speak, provided their names remained confidential.
By late afternoon, they had established that Rebecca Shaw had left Kingsbridge shortly after Thomas Price's death and had subsequently worked for a charitable foundation in another state.
The foundation had closed five years earlier.
Her current address was unknown.
But the foundation's former director was still alive.
Miriam arranged a call.
Nora listened as the woman described Rebecca as quiet, meticulous, and unusually cautious about discussing her previous employment.
"Did she ever mention Silas Reed?" Miriam asked.
"Not directly. But she once told me that she had worked for a man who believed every person had a price."
"What did she say about him?"
The woman paused.
"She said that his greatest mistake was assuming everyone wanted to be bought."
Nora looked at Adrian.
The woman continued.
"Rebecca left the foundation after receiving a letter. She was frightened. She told me that someone had found her."
"Did she say who?"
"No."
"Do you still have the letter?"
"I do."
Miriam arranged to receive a copy.
The call ended.
For a moment, no one spoke.
Then Nora said, "Rebecca may be the third copy."
"Or she may know where it is," Adrian replied.
"Either way, she's the next person we need to find."
***
The letter arrived the following morning.
It was short, typed, and unsigned.
You have been given more time than you deserve.
The records are not yours to release.
If you continue to interfere, the consequences will extend beyond you.
At the bottom was a single initial.
S.
Miriam examined the document and confirmed that the paper and ink were consistent with a letter produced around five years earlier.
The threat had been made before Nora discovered her father's records.
Silas Reed had been trying to locate the missing evidence for years.
Which meant the attack outside the supermarket might not have been intended solely to frighten Adrian.
It might have been an attempt to stop Nora from uncovering what her father had preserved.
Nora stood beside the study window, looking out at the garden.
"I keep thinking about the supermarket," she said.
Adrian approached.
"What about it?"
"Grant was cruel, but he was careless. He wanted to humiliate me. He wanted people to see that he had money and I didn't. But the shooting happened because someone knew you would be there."
"Yes."
"And someone knew I was connected to you."
"Possibly."
She turned toward him.
"What if Grant's appearance wasn't a coincidence?"
Adrian's expression sharpened.
"What do you mean?"
"What if someone told him I would be there? What if they wanted him to provoke me, or provoke you, and create a scene that would draw attention away from the real target?"
Adrian considered it.
"It's possible."
"Then we need to talk to him."
He did not answer immediately.
Nora recognized the hesitation.
"You don't want me near him."
"I don't want you near anyone who might be involved in the attack."
"That isn't the same thing."
"No."
She folded her arms.
"Adrian, I am not going to spend the rest of this investigation behind locked doors while everyone else decides what happened to my father."
He looked at her for a long moment.
Then he nodded.
"We'll speak to Grant. But we'll do it somewhere public, with security nearby."
"And I will ask the questions."
"Some of them."
"All of them."
He sighed.
"Most of them."
She smiled despite herself.
"You're learning."
"I'm suffering."
***
Grant Voss agreed to meet them at a private office in his company's headquarters.
He arrived twenty minutes late.
Nora was already seated when he entered. Adrian stood beside the window, while Miriam Cole arranged the documents on the table.
Grant looked from Nora to Adrian.
Then he smiled.
"Well. This is becoming a habit."
Nora did not return the smile.
"Did you know my father was involved with Elias Moretti?"
Grant's expression changed.
Only slightly.
But it changed.
"Why would I know anything about your father?"
"Because your family's name appears in the records he kept."
Grant sat down slowly.
"What records?"
Nora placed a copy of the transfer document in front of him.
He read it.
Then he looked at the photograph of Margaret Voss and Thomas Price.
For a moment, he seemed much older than his years.
"My mother," he said quietly.
"You recognize her?"
"Of course I recognize her."
"Did she ever tell you about Thomas Price?"
Grant looked down at the photograph.
"No."
"Did your father?"
He was silent.
Nora waited.
Finally, Grant said, "My father told me that there were people who wanted to destroy the Voss family. He said that if anyone ever came asking about the old shipping accounts, I should tell them nothing."
"Why?"
"Because he believed the truth would ruin us."
"Did he say what the truth was?"
"No."
She watched him carefully.
"Did you know about the shooting outside the supermarket?"
Grant looked up sharply.
"No."
"Did you arrange for me to be there?"
"No."
"Did you know I was pregnant?"
He hesitated.
"Not until I saw you."
Nora felt a surge of anger.
"Then why did you humiliate me?"
Grant looked away.
For the first time since she had known him, he appeared to have no ready answer.
"Because I wanted to hurt you," he said.
The admission was so blunt that Nora nearly laughed.
"At least that's honest."
"I was angry."
"At me?"
"At the fact that you left and built a life without me. At the fact that you were standing there, struggling to pay for groceries, and still refused to let me feel superior to you."
Nora stared at him.
"You offered me money because you wanted me to feel small."
"Yes."
"And when I refused, you insulted me."
"Yes."
She shook her head.
"Do you understand how pathetic that sounds?"
Grant's face reddened.
Adrian moved slightly, but Nora raised a hand.
She wanted to hear the answer.
Grant looked at the table.
"I understand it now."
"Do you?"
He met her eyes.
"I don't know."
It was the first thing he had said that sounded like a genuine admission rather than a strategy.
Nora leaned back.
"Someone tried to kill us. If you know anything that could help us identify the person responsible, now is the time to say it."
Grant rubbed his forehead.
"My father had a safe in his office. After he died, I found a folder inside it. It contained copies of financial transfers and a letter from Silas Reed."
Adrian stepped away from the window.
"What did the letter say?"
Grant swallowed.
"It said that the records would be destroyed if the Moretti family stopped cooperating with the arrangement."
"What arrangement?" Nora asked.
"I don't know."
"You expect us to believe you found a letter threatening your family and never investigated it?"
Grant's jaw tightened.
"I was twenty-three when my father died. I had just inherited the company. The banks were threatening to call in our loans, several partners were preparing to leave, and the board wanted me to prove I could keep the business alive. I found the folder, read the letter, and decided that whatever it meant, I couldn't afford to become involved."
Nora studied him.
"Where is the folder now?"
"At my home."
"Can we see it?"
Grant hesitated.
Then he nodded.
"Yes."
Adrian looked at him.
"Why are you helping us?"
Grant gave a tired laugh.
"Because I am beginning to suspect that the thing my father spent his life protecting is the reason I have spent mine being afraid."
He looked at Nora.
"And because I don't want another person to die over something I could have helped explain."
It was not an apology for the supermarket.
It was not redemption.
But it was a start.
***
The folder contained twelve pages of financial summaries, three letters, and a handwritten note from Edward Voss.
The note was dated two weeks before Thomas Price died.
Silas believes the arrangement can continue indefinitely. Elias is beginning to question the payments. Thomas has become a problem.
The next line had been crossed out.
Beneath it, another sentence remained visible.
If Thomas refuses to cooperate, Reed will handle it.
Nora read the words twice.
Grant stood beside her.
"I never saw that page before."
Adrian examined the handwriting.
"Your father wrote this."
"Yes."
"Do you know what he meant by 'handle it'?"
"No."
Nora looked at the final letter.
It was from Silas Reed to Edward Voss.
The language was formal and almost polite.
The matter concerning Thomas Price has been resolved. The records remain secure. No further action is required.
The date was October seventeenth.
One day after Thomas's death had been officially recorded.
Nora felt the room grow cold.
"He knew."
Adrian's expression was hard.
"Yes."
Grant sank into a chair.
"My father knew."
Nora looked at him.
"You don't have to defend him."
"I'm not."
He stared at the letter.
"I'm trying to understand how a man can tell his son that family is everything and then spend his life making decisions that destroy other families."
Nora had no answer.
Because she had been asking the same question about her own father.
***
That evening, Adrian received a call from Miriam.
They had located Rebecca Shaw.
She was living under her own name in a small coastal town, working at a public library. She had agreed to meet them, but only if Nora came without Adrian's security team.
Adrian immediately refused.
Nora listened to the exchange from the doorway.
When he ended the call, she said, "I'm going."
"No."
She raised an eyebrow.
He closed his eyes.
"That came out wrong."
"Very."
He took a breath.
"I am worried that this is a trap."
"So am I."
"Then why are you willing to go?"
"Because Rebecca may be the only person who can tell us what happened to Thomas Price. Because she may know who ordered the shooting. And because she has spent years hiding from someone who believes the truth belongs to him."
Adrian looked at her.
"I can't promise you that you'll be safe."
"I know."
"I can't promise that I can protect you from every threat."
"I know that too."
He looked down at her stomach.
"And I can't bear the thought of something happening to you or the baby."
The words were quiet.
For the first time, Nora heard no command in them.
Only fear.
She stepped closer.
"Then come with me. But don't decide for me."
He met her eyes.
"All right."
She rested her hand against his cheek.
It was the first time she had touched him that way since the night they reunited.
Adrian went still.
"I am not asking you to stop being afraid," she whispered. "I'm asking you to trust me enough to let me stand beside you."
He closed his eyes briefly.
Then he leaned into her hand.
"I can do that."
Nora wanted to believe him.
For once, she allowed herself to believe that he meant it.
***
The following morning, they drove toward the coast.
The sky was pale and overcast. The road followed the river for several miles before turning through fields and small towns. Nora watched the landscape pass and thought about the women who had carried the consequences of the old arrangement.
Her mother had died believing that Nora would have a difficult but ordinary life.
Eleanor Price had died believing her husband was lost in an accident.
Margaret Voss had died without telling her son what she knew.
And Rebecca Shaw had spent years hiding from a man who believed every person had a price.
Nora had once thought that family secrets were private things, passed from one generation to another in whispered conversations and sealed envelopes.
Now she understood that some secrets became institutions.
They shaped businesses, bought silence, altered official records, and taught children to confuse loyalty with obedience.
She looked at Adrian.
He was watching the road, one hand resting on the steering wheel.
"What's wrong?" he asked.
"Nothing."
He glanced at her.
"You have a particular expression when something is wrong."
"I have a particular expression when I'm thinking."
"Those expressions are remarkably similar."
She smiled faintly.
"I was thinking about the baby."
His expression softened.
"What about the baby?"
"I don't want our child to inherit this."
"Neither do I."
"Then we need to do more than find Silas Reed."
Adrian waited.
"We need to decide what happens to the organization after this. We need to decide what we tell the authorities. And we need to decide whether you can live with a future that doesn't require you to control every person around you."
He was quiet for a long time.
Then he said, "I've been thinking about that."
"And?"
"I don't know what the organization looks like without the old arrangements. I don't know how much of the business can survive a full investigation. I don't know how many people will turn against me if I release the records."
Nora listened.
"But I know that if I keep the records hidden, I'll be doing exactly what my father did. I'll be asking the next generation to pay for decisions they never made."
She looked at him.
It was the first time he had spoken about his father's legacy without defending it.
"What will you do?"
He kept his eyes on the road.
"Whatever the evidence requires."
Nora took his hand.
This time, he did not look surprised.
He held it gently.
They drove on toward the coast, toward a woman who might finally explain the last missing piece of the past.
Neither of them knew what Rebecca Shaw would tell them.
Neither of them knew whether Silas Reed was already aware of their destination.
But for the first time since the supermarket shooting, Nora felt that the future was no longer something being decided around her.
May you like
She was part of the decision.
And that, more than the money, the security, or the promises, was what she had needed from Adrian all along.